Down East
Gaslight Wanderings. No. III
From: "The Metropolitan", 14th September 1872.
Not far from Wellclose-square is a large tavern known
by the Teutonic sign of the "Preussischer
Adler," and into this palace of dazzling light our
custodian led us. Bless you! Mr. R-- was as well known
there as everywhere else, and a few mystic words spoken
to the landlord were sufficient to give us the run of the
establishment. We could hear the strains of music and the
rushing of many feet coming from the floor above, and
turning to a staircase on our left, we prepared to
ascend. But a placard posted at the foot of the steps
attracts our attention, and we pause to read it - this is
the substance in brief:- "All persons are requested,
before entering the dancing saloon, to leave at the bar
their pistols and knives, or any other weapon they may
have about them." Fancy such a regulation being
necessary in civilised London! At any rate, it was very
reassuring to us, and with renewed confidence we mounted
to the domains of Terpsichore.
It was a long room, with
tables and seats aligning the walls, the centre being
given up entirely to a crowd of dancers, who were
waltzing to the by no means bad music of half-a-dozen
German players, who piped away in a raised orchestra
close by the stair-head. But what an assembly! There were
French, Spanish, Italian, German, and Dutch seamen; there
were Greeks from the Aegean Sea; there were Malays,
Lascars, and even the "heathen Chinee,"
disguised in European costume, with his pigtail rolled up
under a navy cap. There were mariners in fezes and serge
capotes; there were Mediterranean dandies, girt with
broad crimson scarves, and with massive gold earrings
glistening as they twirled about. No wonder it had been
found necessary to collect the knives and pistols from
the hot-blooded cosmopolitan crowd. A blow is soon given,
and with weapons at hand, who can tell where a quarrel
might end? Yet I must say that, while we were present,
everything was conducted in the most orderly manner,
though the animated impassioned talk in a dozen different
languages led one to imagine that a breach of the peace
was imminent at any moment. The waltz, which all alike
danced admirably, had something of the heroic about it.
Each couple made three or four sharp turns, and then came
to a pause with a smart stamp and heads thrown back
defiantly. Catching the time to a nicety, they would
repeat the movement; and when I mention that there were
considerably more than a hundred dancers on the floor,
the staccato effect of the stamp, coming almost
simultaneously, may be imagined. Of the female portion of
the assemblage, I need not say more than that they were,
in nearly every instance, foreign, the German and Flemish
nationality mostly predominating. Short "Dolly
Vardens," scrupulously clean, embroidered
petticoats, and neatly-fitting high-heeled Hungarian
boots, was apparently the favourite costume. To come
suddenly upon the "Preussicher Adler's dancing
saloon" out of the crowded streets of the English
metropolis has a most startling effect upon the casual
visitor, who is unprepared for any thing of the kind. It
is absolutely as though one had been transferred,
magically, to a casino in the neighbourhood of the docks
of Marseilles or Genoa, or to the halls of "Tutti
Nazioni" (all nations) on the Marina of Messina. But
the hour is waxing late and, if we would complete our
task, we must not linger amidst the delights of he
"Preussicher Adler," as Hannibal did at Capua.
As we passed down Ratcliff Highway, in the direction
of the "Jolly Sailors," an incident occurs
which greatly impresses our party. Though detective R--
has given up to us some hours of his time, yet those whom
it concerns are by no means left in ignorance of his
whereabouts. A quick-looking and respectably dressed
young man suddenly makes his appearance, and steps up
immediately to Mr. R--, as though he knew to a minute at
what square on the flags he could meet with the
mysterious officer, whose ways and movements are dark to
those who expect him not. We draw on one side while an
animated whispered conversation occurs between them, and
the newcomer having in all probability received his
instructions, vanishes as rapidly and quietly as he came.
It was not our province to be curious, and as our guide
remained reticent, I am unable to enlighten the reader on
the subject that brought about the interview. I have
mentioned the incident, simply to show that Mr. R--'s
apparent leisure meant as much work as play. But we had
reached the "Jolly Sailors," and though there
was nothing much to see after the "Preussischer
Adler," we nevertheless looked in for a minute or
two. The company here were unmistakably English, and as
unmistakably more or less drunk. The were seamen from the
neighbouring docks and lodging-houses, and, having just
been paid off, were doing the best to get rid of the
money, and in this laudable effort they were ably
seconded by their companions of the opposite sex. There
was no dancing going on, but a couple of acrobats were
really doing some very good tumbling in the centre of the
large room, and sixpences and "bronzes" were
plentifully showered to them by those not in a too
maudlin and drowsy condition to get at their pocket. There was not the slightest inducement
to linger in this distasteful haunt, and as the hour hand
was rapidly approaching midnight Mr. R-- suggested that
we should hasten our steps to the last place indicated on
our programme, and wind up with "The Ghost."
Our ghost, however, instead of appearing as the twelve
strokes proclaimed "the witching hour when
churchyards yawn and graves give up their dead,"
was, according to the police regulations, to vanish
punctually at the signal from the neighbouring church
steeples. The dreadful apparition led no shadowy
existence but haunted the purlieus of Whitechapel and
dwelt in a "penny gaff." We were just in time
for the last performance, and we shouldered our way along
a dark narrow passage, and through a flavoursome crowd,
of which the greater portion was made up of extremely
coarse and brutal looking boys and girls. As a matter of
course the auditorium was kept in the deepest gloom, for
how could a ghost go about his business in a brilliant
light ? This obscurity would naturally be very favourable
to trying pockets, so as an extra measure of safety we
elected to go to the twopenny stalls, as being more
select and less crowded. We most of us know the theatre
at the Polytechnic Institution, and we are aware of the
rustlings and gigglings that follow the lowering of the
light in that well-frequented and extremely proper hall.
I shall not attempt to describe the innocent and refined
joking and horse-play that went on behind us, nor the
graphic language in which thoughts and ideas were
exchanged. At length the curtain rose, discovering a
dimly lit stage, with a piece of gauze stretched across
the proscenium to assist in giving a hazy effect. An
individual in an old dressing-gown, supposed to serve as
a nobleman's sumptuous robe, makes his appearance, and
bemoans his fate that he cannot find a lock under which a
treasure is said to be hidden. He has learned in a dream
that an ancestor of his was foully murdered, and buried
with his wealth beneath a rock in the forest. "I
know it's about 'ere, 'cos the vision of the dream told
me it was. Eh, he told me it was 'ere, and 'ere I'll go
on a seekin' it. Ah! that stone." The individual
strikes his shins against an old egg box, placed upside
down, and begin to wrench at it, with simulated muscular
power. "Ah! ah! ah! I 'ave it now, for beneath this
stone lies the bones of my poor, poor ancestor." But
the gentleman in the dressing-gown is not to have it all
his own way. Some resinous flashes play at the wings, a
big shot is rolled about, and a couple of demon sprites
skip and tumble about him, reducing the wanderer to a
state of abject terror. "Mercy, mercy; I will not
touch the treasure. I will fly - fly from this terrible
spot, and never come back no more." At this moment
the lightning ceases, the thunder is heard no more. There
are a few sharp chords from a solitary violin, which
appear to give the demons a stomach-ache, for they double
themselves up and make the quickest tracks. Then the
stage becomes luminous with blue fire, a sudden energy
replaces the wanderer's fear, he gives the egg-box a
hearty wrench, and beneath it discovers a bag. As he
clutches his prize the scene opens at the back, and the
terrible ghost appears with a green limelight full upon
him. Of course, the party in the dressing-gown quickly
drops the treasure, but is encouraged by much pantomime
to pick it up. The white sheet shrouding the apparition
is wreathed into the most persuasive folds, and a kindly
sepulchral voice informs the discoverer that- " The
goold and jewelles are yourn, for were they once not
mine? Take them, descendant of my murdered self, take
them, and be for ever 'appy!'' This brought down the
curtain, and sent the audience rushing pell-mell from the
place, in hopes of securing another pint before the clock
should strike the prohibitory hour. We followed, glad to
reach the street, and lingering for a short time together
to balance the common account, we then shook hands, and
the various members of the exploring party went their
several ways, to moralise on and dream of the life
"down East."
Reprinted with permission of David Rich, Tower Hamlets History On Line.